Landscapes of Painter Rhodes Display a wry Side
While the works of contemporary landscape painters often feature a sweeping view of the countryside, many of Painter Rhodes’s pieces also portray the landscape from a different perspective. He preferred to depict landscapes from above, using aerial photographs, planning blueprints, and geographical textbooks as his primary sources of inspiration. While many of his paintings are technically exact representations of the actual scene, his works are characterized by an air of delicacy and abstraction. Rather than portraying reality, they emphasize absence and disaffection. The painters that Rhodes admired most in his career exhibited a singular vision that straddled documentary and fiction.
In his paintings, Rhodes emphasizes the absence of humans, transport, and movement. Spillages often feature prominently, suggesting the destructive capacity of industrialisation. In his painting Industrial Belt (2006), he depicts products and by-products of industry as swirls of paint. A plethora of infrastructures encroaches on the natural, wild landscape. In other works, such as The Forest of Forrest, the artist suggests a more literal view of human activity, which is absent from his landscapes.
In contrast, the landscapes of Painter Rhodes display a wry side. A blob of paint, or some other unsightly feature, is often found alongside a large and small feature, and the path seems to take a sudden turn. In the last years of his life, the artist began to focus on painting more urban locations, which still remain largely desolate and devoid of life. This irony is perhaps one of the many reasons why the paintings of Painter Rhodes are so striking.
While Rhodes’ landscapes often contain a bleak side, a sense of humour pervades her work. She would sometimes place large and small features next to each other or take a sudden turn to produce her work. In some of her works, she incorporated humorous elements into her work, such as spills or splashes. Her paintings are composed of multiple layers of paint, and her paintings often contain up to five works per year. At the end of her career, Rhodes began painting more urban settings, but they still remain void of life.
His paintings are complex in design, and often have a humorous side. The artist’s motifs are often recognizable as objects, but his landscapes are usually characterized by the absence of humans, transport, and movement. His works contain a dark and humorous side. Despite the fact that he was trained in classical techniques, Rhodes had no formal training in art. Nonetheless, he studied and practiced classical techniques, which influenced his work.
Like other landscape painters, Rhodes’ work often contains a humorous side. She often placed large and small features next to each other, and occasionally, she discarded entire works if she was unsatisfied with her work. In fact, she produced about five works per year. In the middle of her career, she began painting more urban landscapes, but her paintings still retain a certain beauty and a sense of humour.
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